Playing with History : The Historical Approach to Musical Performance.

By: Butt, JohnSeries: Musical Performance and ReceptionPublisher: Cambridge : Cambridge University Press, 2002Copyright date: ©2002Description: 1 online resource (283 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780511157455Subject(s): Performance practice (Music)Genre/Form: Electronic books. Additional physical formats: Print version:: Playing with History : The Historical Approach to Musical PerformanceDDC classification: 781.43 LOC classification: ML457 .B92 2002Online resources: Click to View
Contents:
Cover -- Half-title -- Series-title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- Abbreviations -- PART 1 Historically informed performance in music criticism -- 1 Joining the historical performance debate -- HINDEMITH AND ADORNO, AND SOME PRELIMINARY ANTINOMIES OF HIP -- THE HIP CULTURE OF THE 1980S - THE DIAGNOSES OF LAURENCE DREYFUS AND ROBERT MORGAN -- RICHARD TARUSKIN AND THE PUBLIC EXPANSION OF THE EARLY MUSIC DEBATE -- PETER KIVY AND THE DEBATE WITHIN ANALYTICAL PHILOSOPHY -- THE DEBATE AT THE END OF THE TWENTIETH CENTURY -- PART 2 Historically informed performance and the implications for work, composer and notation -- 2 Historical performance and 'truth to the work': history and the subversion of Platonism -- 3 Historical performance and 'truth to the composer': rehabilitating intention -- 4 Negotiating between work, composer and performer: rewriting the story of notational progress -- NOTATION AS PURPOSELY INCOMPLETE -- NOTATION AS 'FITTED SUIT' -- NOTATION AS EXAMPLE -- NOTATION AS A RECORD OF PERFORMING TRADITION -- NOTATION AS DESCRIPTION -- NOTATION AS AN ALTERNATIVE EMBODIMENT OF MUSIC -- PART 3 Historically informed performance within the culture of the late twentieth century -- 5 Historical performance at the crossroads of modernis and postmodernism -- DEFINING MODERNISM -- MODERNIST CONCEPTIONS OF HISTORY -- FROM THE MODERN TO THE POSTMODERN -- DEFINING THE POSTMODERN -- THE POST-INDUSTRIAL AND THE SIMULACRUM -- POSTMODERNISM AND THE LOSS OF HISTORICITY -- HIP AS A EUROPEAN PHENOMENON -- 6 'A reactionary wolf in countercultural sheep's clothing'? - historica performance, the heritage industry and the… -- THE GROWTH OF THE HERITAGE MOVEMENTS -- HERITAGE A CULTURAL DECLINE AND PESSIMISM -- HERITAGE AS BAD HISTORY -- HERITAGE A REACTIONARY POLITICS -- Notes -- PREFACE AND ACKNOWLEDGEMENTS.
1 JOINING THE HISTORICAL PERFORMANCE DEBATE -- 2 HISTORICAL PERFORMANCE AND 'TRUTH TO THE WORK': HISTORY AND THE SUBVERSION OF PLATONISM -- 3 HISTORICAL PERFORMANCE AND 'TRUTH TO THE COMPOSER': REHABILITATING INTENTION -- 4 NEGOTIATING BETWEEN WORK, COMPOSER AND PERFORMER: REWRITING THE STORY OF NOTATIONAL PROGRESS -- 5 HISTORICAL PERFORMANCE AT THE CROSSROADS OF MODERNISM AND POSTMODERNISM -- 6 'A REACTIONARY WOLF IN COUNTERCULTURAL SHEEP'S CLOTHING?' - HISTORICAL PERFORMANCE, THE HERITAGE INDUSTRY AND THE… -- Bibliography -- Index.
Summary: This challenging 2002 study examines and ultimately defends the case for historically informed musical performance.
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Cover -- Half-title -- Series-title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- Abbreviations -- PART 1 Historically informed performance in music criticism -- 1 Joining the historical performance debate -- HINDEMITH AND ADORNO, AND SOME PRELIMINARY ANTINOMIES OF HIP -- THE HIP CULTURE OF THE 1980S - THE DIAGNOSES OF LAURENCE DREYFUS AND ROBERT MORGAN -- RICHARD TARUSKIN AND THE PUBLIC EXPANSION OF THE EARLY MUSIC DEBATE -- PETER KIVY AND THE DEBATE WITHIN ANALYTICAL PHILOSOPHY -- THE DEBATE AT THE END OF THE TWENTIETH CENTURY -- PART 2 Historically informed performance and the implications for work, composer and notation -- 2 Historical performance and 'truth to the work': history and the subversion of Platonism -- 3 Historical performance and 'truth to the composer': rehabilitating intention -- 4 Negotiating between work, composer and performer: rewriting the story of notational progress -- NOTATION AS PURPOSELY INCOMPLETE -- NOTATION AS 'FITTED SUIT' -- NOTATION AS EXAMPLE -- NOTATION AS A RECORD OF PERFORMING TRADITION -- NOTATION AS DESCRIPTION -- NOTATION AS AN ALTERNATIVE EMBODIMENT OF MUSIC -- PART 3 Historically informed performance within the culture of the late twentieth century -- 5 Historical performance at the crossroads of modernis and postmodernism -- DEFINING MODERNISM -- MODERNIST CONCEPTIONS OF HISTORY -- FROM THE MODERN TO THE POSTMODERN -- DEFINING THE POSTMODERN -- THE POST-INDUSTRIAL AND THE SIMULACRUM -- POSTMODERNISM AND THE LOSS OF HISTORICITY -- HIP AS A EUROPEAN PHENOMENON -- 6 'A reactionary wolf in countercultural sheep's clothing'? - historica performance, the heritage industry and the… -- THE GROWTH OF THE HERITAGE MOVEMENTS -- HERITAGE A CULTURAL DECLINE AND PESSIMISM -- HERITAGE AS BAD HISTORY -- HERITAGE A REACTIONARY POLITICS -- Notes -- PREFACE AND ACKNOWLEDGEMENTS.

1 JOINING THE HISTORICAL PERFORMANCE DEBATE -- 2 HISTORICAL PERFORMANCE AND 'TRUTH TO THE WORK': HISTORY AND THE SUBVERSION OF PLATONISM -- 3 HISTORICAL PERFORMANCE AND 'TRUTH TO THE COMPOSER': REHABILITATING INTENTION -- 4 NEGOTIATING BETWEEN WORK, COMPOSER AND PERFORMER: REWRITING THE STORY OF NOTATIONAL PROGRESS -- 5 HISTORICAL PERFORMANCE AT THE CROSSROADS OF MODERNISM AND POSTMODERNISM -- 6 'A REACTIONARY WOLF IN COUNTERCULTURAL SHEEP'S CLOTHING?' - HISTORICAL PERFORMANCE, THE HERITAGE INDUSTRY AND THE… -- Bibliography -- Index.

This challenging 2002 study examines and ultimately defends the case for historically informed musical performance.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2019. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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