The Gypsy Caravan : From Real Roma to Imaginary Gypsies in Western Music.

By: Malvinni, DavidSeries: Current Research in Ethnomusicology: Outstanding Dissertations SerPublisher: Florence : Routledge, 2004Copyright date: ©2004Edition: 1st edDescription: 1 online resource (283 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780203490068Subject(s): Music -- History and criticism.;Romanies -- Music -- History and criticismGenre/Form: Electronic books. Additional physical formats: Print version:: The Gypsy Caravan : From Real Roma to Imaginary Gypsies in Western MusicDDC classification: 781.6816291497 LOC classification: ML3545 -- .M24 2004ebOnline resources: Click to View
Contents:
Intro -- Contents -- List of Musical Examples -- Preface -- Acknowledgments -- Chapter One The Relative Neglect of Gypsy Music: Nationalism, Interest, and Advocacy in Musicology -- NATIONALISM -- INTEREST AND ADVOCACY: DECONSTRUCTING NATIONALISM -- THE VIENNESE DISRUPTION15 -- THE QUESTION: WHAT IS GYPSY MUSIC? -- LISZT'S THE GYPSY IN MUSIC -- GYPSY MUSIC AND THE MOCK EQUATION OF GYPSINESS (I+V=E) -- BARTÓK'S CRITIQUE OF LISZT -- THE CURRENT STATE OF RESEARCH ON GYPSY MUSIC -- CONCLUSION: THE ADVOCACY OF GYPSY MUSIC -- Chapter Two Alms, Virgins, and Feuerzeichen: Literature's Place in Configuring Gypsiness -- ON LITERATURE AND MUSIC -- THE CRITICAL RECEPTION OF GYPSIES IN LITERATURE -- FARSA DAS CIGANAS (1521) -- "LA GITANILLA" (1613) -- MOLL FLANDERS (1722) AND TOM JONES (1749) -- GÖTZ VON BERLICHINGEN (1773) -- GUY MANNERING (1815) -- NOTRE-DAME DE PARIS (1831) -- LORCA'S GYPSY BALLADS (1927) -- THE VIRGIN AND THE GYPSY (1940) -- CONCLUSION -- Chapter Three A Nineteenth-Century Tale of Two Others: Gypsy Improvisation and the Exotic Remainder -- EXOTICISM AND MUSICOLOGICAL DISCOURSE -- THE EQUATION I+V=E -- POSTMODERN MUSICOLOGY AND THE REVALUATION OF IMPROVISATION -- HETEROGENETIC IMPROVISATION -- ANXIETY OF IMPROVISATION -- MYSTERY -- IMAGES OF GYPSY MUSIC -- IMPROVISATION AND MUSICAL COMPETENCE: THE WESTERN CANON -- BELLMAN AND THE STYLE HONGROIS -- TWENTIETH-CENTURY REEVALUATION: FROM GYPSY TO ROMA MUSIC -- EUROCENTRISM TO THE PERFORMATIVE (EXCUSES) -- RACY'S SUMMARY OF DEFINITIONS OF IMPROVISATION -- IMPROVISATION AND MYSTERY IN THE MUSIC OF TARAF D HAÏDOUK -- CONCLUSION: THE EXOTIC REMAINDER OF THE GYPSINESS IN THE CONCERT HALL -- Chapter Four Nomads and the Rhizome: Becoming Gypsy -- THE NOMADIC NARRATIVE OF THE GYPSY MIGRATION -- THE RHIZOME AND GYPSY MUSIC -- GYPSINESS, AMERICA, AND THE NOMADIC LOGIC OF IMPROVISATION.
Chapter Five Brahms's "Hungarian Dance no. 5" and the Dynamics of Exaggeration -- MELODO-RHYTHMIC ANALYSIS -- COMPARISON OF RECORDED PERFORMANCES -- I. Budapest Symphony Orchestra, Conducted by István Bogár9 -- II. The Magic of the Budapest Gypsy Orchestra -- III. Sándor Lakatos: "König der Zigeunergeigen"15 -- IV. Iván Fischer and the Budapest Festival Orchestra22 -- MUSICAL EXAGGERATIONS, GYPSINESS, AND AUDIENCES -- DIALECT(IC)S OF MUSIC HISTORY -- IMMEDIACY AND ETHNOMUSICOLOGY -- INTEREST AND STRATEGIES OF ADVOCACY -- Chapter Six The Poetics of Gypsiness in Liszt's Hungarian Rhapsodies -- THE CONTEXT OF THE RHAPSODIES -- THE ILLUSION OF WISH-FULFILLMENT -- THE TRANSCENDENTAL STUDIES COMPARED WITH THE RHAPSODIES -- MUSICAL CONTRADICTIONS AND POETICS -- CREATION CONTRA THE VIRTUOSIC PERFORMATIVE -- LEGITIMACY AND NATIONALIST WHITEWASH -- ROMANTIC RETREAT VIA GYPSY MUSIC -- TRANSFORMATION OF WORK -- WHEN COMPOSITIONAL TECHNIQUE WENT PUBLIC -- RHAPSODIZING: HUNGARIAN RHAPSODIES NOS. 1-3 -- IM TROTZIGEN, TIEFSINNIGEN ZIGEUNER-STIL VORZUTRAGEN -- THE VIRILE/VIRTUOSIC POWER OF THE RHAPSODIES -- LETTERS -- Chapter Seven Gypsies and Vol'nost' in Russian Music: Aleko1 -- READING PUSHKIN'S TSYGANY -- ZEMFIRA'S SONG5 -- RACHMANINOV'S MUSICAL LANGUAGE AND THE AESTHETIC OF GYPSINESS -- RUSSIAN MUSIC, ORIENTALISM, AND GYPSINESS -- ALEKO'S "CAVATINA" -- I. Melodic Ambiguity -- II. Subdominant Subterfuge? -- THE SIGNIFICANCE OF GYPSINESS FOR RUSSIAN STUDIES -- Chapter Eight Gypsy Pleroma: Janáček's Diary of One Who Disappeared -- GYPSINESS AND THE CENTRAL EUROPEAN TRADITION -- INTERLUDE: THE TRANSCENDENTAL DEDUCTION OF GYPSINESS -- GERMANNESS IN MUSIC -- JANÁČEK'S MUSE -- NARRATIVE OF THE CYCLE -- MODALITY, MORAVIANNESS, AND GYPSIES -- BENEVOLENT INTRUDERS? -- WOMAN AS DISTANCE -- FORGIVENESS, PLEROMA, AND AUFHEBUNG.
PARALLEL WORLDS: THE ROLE OF THE PRESENT IN THE MAKROPULOS AFFAIR -- Chapter Nine The Specter of Bartók: From Hungarian Musicology to the Folk-Music Revival -- BARTÓK'S ACHIEVEMENTS IN MUSICAL FOLKLORE -- WHO SPEAKS FOR THE PEASANT? -- TWIN SOURCES OF MUSICAL CREATION -- AUTHENTICITY IN FOLK MUSIC -- BARTÓK'S NEGATIVE APPROPRIATION OF GYPSY MUSIC -- BARTÓK CONTRA LISZT -- DECONSTRUCTING BARTÓK -- SCIENTIFIC COLLECTING -- THE PROBLEM OF SCIENTIFIC INTERPRETATION IN ROMANOLOGY -- GYPSIES AS PEASANTS -- BARTÓK-MÖLLER POLEMIC -- THE RECEPTION OF BARTÓK IN KODÁLY'S FOLK MUSIC OF HUNGARY (1956) -- SÁROSI ON GYPSY MUSIC -- THE HUNGARIAN DANCE-HOUSE (TÁNCHÁZ) MOVEMENT -- MUZSIKÁS: BACK TO BARTÓK -- Chapter Ten Gypsiness in Film Music: Spectacle and Act -- PREDICATION AND PROPERTY -- THE IMPACT OF FILMING ON GYPSY MUSIC: THE EVENT -- A THEORY ABOUT GYPSY MUSIC REALIZED VIA A THEORY OF FILM MUSIC PSYCHOLOGY -- APPROACHES TO SOUND AS IMAGE -- VERA BILA: I AM A ROMANY WOMAN -- VOICE AS MONEY -- THE THIRD WORLD OF GYPSY VIDEO -- BLOOD AND THE RED VIOLIN: SONY'S WEB SITE -- INTERLUDE, OR BACKWARDS FORWARD: DIRECTOR FRANÇOIS GIRAUD ON THE RED VIOLIN -- FRAMES -- CONVERGING ON THE DEMONIC -- THEFT AND GYPSIES: CONFRONTING STEREOTYPES -- OWNING A PRECIOUS VIOLIN -- PAGANINI, GYPSIES, AND VIOLINNESS -- LATCHO DROM AND THE ACT OF GYPSY MUSIC-MAKING -- THE QUESTION OF GENRE -- THINKING GYPSY MUSIC -- EXOTICISM: RAJASTHAN, EGYPT, TURKEY -- THE "THIRD WORLD": ROMANIA, HUNGARY, SLOVAKIA -- CINE-POEM -- MARGINS OF THE WEST: FRANCE AND SPAIN AND THE POLITICS OF BEING-GYPSY -- MARKETING GYPSINESS -- POST-LATCHO DROM -- GADJO DILO (CRAZY STRANGER) (1998) -- BLACK CAT, WHITE CAT (1998) -- MONDO (1996) -- CONCLUSION: THE NEW WORLD OF GYPSY FILM -- ACKNOWLEDGMENTS -- Chapter Eleven O lunga drom: The Digital Migration of Gypsy Music -- "JELEM, JELEM": THE ROMANI ANTHEM.
MARKETING GYPSY MUSIC AS A BIN OF NOSTALGIA -- THE THREE STREAMS OF THE AUTONOMOUS GYPSY MUSIC BIN -- THE GYPSY-MUSIC BIN AS A COGNITIVE CONSTRUCT OF GYPSINESS -- CONCLUSION: ROMA REDRESS AND GYPSINESS IN MUSIC -- Gypsy Music Discography -- A. ARTISTS AND BANDS -- B. COMPILATIONS, COLLECTIONS, AND FIELD RECORDINGS -- C. OTHER SOURCES -- Notes -- NOTES FOR CHAPTER ONE -- NOTES FOR CHAPTER TWO -- NOTES FOR CHAPTER THREE -- NOTES FOR CHAPTER FOUR -- NOTES FOR CHAPTER FIVE -- NOTES FOR CHAPTER SIX -- NOTES FOR CHAPTER SEVEN -- NOTES FOR CHAPTER EIGHT -- NOTES FOR CHAPTER NINE -- NOTES FOR CHAPTER TEN -- NOTES FOR CHAPTER ELEVEN -- Bibliography -- A. BOOKS AND ARTICLES -- B. E-MAIL -- WEB SITES C. -- Index.
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Intro -- Contents -- List of Musical Examples -- Preface -- Acknowledgments -- Chapter One The Relative Neglect of Gypsy Music: Nationalism, Interest, and Advocacy in Musicology -- NATIONALISM -- INTEREST AND ADVOCACY: DECONSTRUCTING NATIONALISM -- THE VIENNESE DISRUPTION15 -- THE QUESTION: WHAT IS GYPSY MUSIC? -- LISZT'S THE GYPSY IN MUSIC -- GYPSY MUSIC AND THE MOCK EQUATION OF GYPSINESS (I+V=E) -- BARTÓK'S CRITIQUE OF LISZT -- THE CURRENT STATE OF RESEARCH ON GYPSY MUSIC -- CONCLUSION: THE ADVOCACY OF GYPSY MUSIC -- Chapter Two Alms, Virgins, and Feuerzeichen: Literature's Place in Configuring Gypsiness -- ON LITERATURE AND MUSIC -- THE CRITICAL RECEPTION OF GYPSIES IN LITERATURE -- FARSA DAS CIGANAS (1521) -- "LA GITANILLA" (1613) -- MOLL FLANDERS (1722) AND TOM JONES (1749) -- GÖTZ VON BERLICHINGEN (1773) -- GUY MANNERING (1815) -- NOTRE-DAME DE PARIS (1831) -- LORCA'S GYPSY BALLADS (1927) -- THE VIRGIN AND THE GYPSY (1940) -- CONCLUSION -- Chapter Three A Nineteenth-Century Tale of Two Others: Gypsy Improvisation and the Exotic Remainder -- EXOTICISM AND MUSICOLOGICAL DISCOURSE -- THE EQUATION I+V=E -- POSTMODERN MUSICOLOGY AND THE REVALUATION OF IMPROVISATION -- HETEROGENETIC IMPROVISATION -- ANXIETY OF IMPROVISATION -- MYSTERY -- IMAGES OF GYPSY MUSIC -- IMPROVISATION AND MUSICAL COMPETENCE: THE WESTERN CANON -- BELLMAN AND THE STYLE HONGROIS -- TWENTIETH-CENTURY REEVALUATION: FROM GYPSY TO ROMA MUSIC -- EUROCENTRISM TO THE PERFORMATIVE (EXCUSES) -- RACY'S SUMMARY OF DEFINITIONS OF IMPROVISATION -- IMPROVISATION AND MYSTERY IN THE MUSIC OF TARAF D HAÏDOUK -- CONCLUSION: THE EXOTIC REMAINDER OF THE GYPSINESS IN THE CONCERT HALL -- Chapter Four Nomads and the Rhizome: Becoming Gypsy -- THE NOMADIC NARRATIVE OF THE GYPSY MIGRATION -- THE RHIZOME AND GYPSY MUSIC -- GYPSINESS, AMERICA, AND THE NOMADIC LOGIC OF IMPROVISATION.

Chapter Five Brahms's "Hungarian Dance no. 5" and the Dynamics of Exaggeration -- MELODO-RHYTHMIC ANALYSIS -- COMPARISON OF RECORDED PERFORMANCES -- I. Budapest Symphony Orchestra, Conducted by István Bogár9 -- II. The Magic of the Budapest Gypsy Orchestra -- III. Sándor Lakatos: "König der Zigeunergeigen"15 -- IV. Iván Fischer and the Budapest Festival Orchestra22 -- MUSICAL EXAGGERATIONS, GYPSINESS, AND AUDIENCES -- DIALECT(IC)S OF MUSIC HISTORY -- IMMEDIACY AND ETHNOMUSICOLOGY -- INTEREST AND STRATEGIES OF ADVOCACY -- Chapter Six The Poetics of Gypsiness in Liszt's Hungarian Rhapsodies -- THE CONTEXT OF THE RHAPSODIES -- THE ILLUSION OF WISH-FULFILLMENT -- THE TRANSCENDENTAL STUDIES COMPARED WITH THE RHAPSODIES -- MUSICAL CONTRADICTIONS AND POETICS -- CREATION CONTRA THE VIRTUOSIC PERFORMATIVE -- LEGITIMACY AND NATIONALIST WHITEWASH -- ROMANTIC RETREAT VIA GYPSY MUSIC -- TRANSFORMATION OF WORK -- WHEN COMPOSITIONAL TECHNIQUE WENT PUBLIC -- RHAPSODIZING: HUNGARIAN RHAPSODIES NOS. 1-3 -- IM TROTZIGEN, TIEFSINNIGEN ZIGEUNER-STIL VORZUTRAGEN -- THE VIRILE/VIRTUOSIC POWER OF THE RHAPSODIES -- LETTERS -- Chapter Seven Gypsies and Vol'nost' in Russian Music: Aleko1 -- READING PUSHKIN'S TSYGANY -- ZEMFIRA'S SONG5 -- RACHMANINOV'S MUSICAL LANGUAGE AND THE AESTHETIC OF GYPSINESS -- RUSSIAN MUSIC, ORIENTALISM, AND GYPSINESS -- ALEKO'S "CAVATINA" -- I. Melodic Ambiguity -- II. Subdominant Subterfuge? -- THE SIGNIFICANCE OF GYPSINESS FOR RUSSIAN STUDIES -- Chapter Eight Gypsy Pleroma: Janáček's Diary of One Who Disappeared -- GYPSINESS AND THE CENTRAL EUROPEAN TRADITION -- INTERLUDE: THE TRANSCENDENTAL DEDUCTION OF GYPSINESS -- GERMANNESS IN MUSIC -- JANÁČEK'S MUSE -- NARRATIVE OF THE CYCLE -- MODALITY, MORAVIANNESS, AND GYPSIES -- BENEVOLENT INTRUDERS? -- WOMAN AS DISTANCE -- FORGIVENESS, PLEROMA, AND AUFHEBUNG.

PARALLEL WORLDS: THE ROLE OF THE PRESENT IN THE MAKROPULOS AFFAIR -- Chapter Nine The Specter of Bartók: From Hungarian Musicology to the Folk-Music Revival -- BARTÓK'S ACHIEVEMENTS IN MUSICAL FOLKLORE -- WHO SPEAKS FOR THE PEASANT? -- TWIN SOURCES OF MUSICAL CREATION -- AUTHENTICITY IN FOLK MUSIC -- BARTÓK'S NEGATIVE APPROPRIATION OF GYPSY MUSIC -- BARTÓK CONTRA LISZT -- DECONSTRUCTING BARTÓK -- SCIENTIFIC COLLECTING -- THE PROBLEM OF SCIENTIFIC INTERPRETATION IN ROMANOLOGY -- GYPSIES AS PEASANTS -- BARTÓK-MÖLLER POLEMIC -- THE RECEPTION OF BARTÓK IN KODÁLY'S FOLK MUSIC OF HUNGARY (1956) -- SÁROSI ON GYPSY MUSIC -- THE HUNGARIAN DANCE-HOUSE (TÁNCHÁZ) MOVEMENT -- MUZSIKÁS: BACK TO BARTÓK -- Chapter Ten Gypsiness in Film Music: Spectacle and Act -- PREDICATION AND PROPERTY -- THE IMPACT OF FILMING ON GYPSY MUSIC: THE EVENT -- A THEORY ABOUT GYPSY MUSIC REALIZED VIA A THEORY OF FILM MUSIC PSYCHOLOGY -- APPROACHES TO SOUND AS IMAGE -- VERA BILA: I AM A ROMANY WOMAN -- VOICE AS MONEY -- THE THIRD WORLD OF GYPSY VIDEO -- BLOOD AND THE RED VIOLIN: SONY'S WEB SITE -- INTERLUDE, OR BACKWARDS FORWARD: DIRECTOR FRANÇOIS GIRAUD ON THE RED VIOLIN -- FRAMES -- CONVERGING ON THE DEMONIC -- THEFT AND GYPSIES: CONFRONTING STEREOTYPES -- OWNING A PRECIOUS VIOLIN -- PAGANINI, GYPSIES, AND VIOLINNESS -- LATCHO DROM AND THE ACT OF GYPSY MUSIC-MAKING -- THE QUESTION OF GENRE -- THINKING GYPSY MUSIC -- EXOTICISM: RAJASTHAN, EGYPT, TURKEY -- THE "THIRD WORLD": ROMANIA, HUNGARY, SLOVAKIA -- CINE-POEM -- MARGINS OF THE WEST: FRANCE AND SPAIN AND THE POLITICS OF BEING-GYPSY -- MARKETING GYPSINESS -- POST-LATCHO DROM -- GADJO DILO (CRAZY STRANGER) (1998) -- BLACK CAT, WHITE CAT (1998) -- MONDO (1996) -- CONCLUSION: THE NEW WORLD OF GYPSY FILM -- ACKNOWLEDGMENTS -- Chapter Eleven O lunga drom: The Digital Migration of Gypsy Music -- "JELEM, JELEM": THE ROMANI ANTHEM.

MARKETING GYPSY MUSIC AS A BIN OF NOSTALGIA -- THE THREE STREAMS OF THE AUTONOMOUS GYPSY MUSIC BIN -- THE GYPSY-MUSIC BIN AS A COGNITIVE CONSTRUCT OF GYPSINESS -- CONCLUSION: ROMA REDRESS AND GYPSINESS IN MUSIC -- Gypsy Music Discography -- A. ARTISTS AND BANDS -- B. COMPILATIONS, COLLECTIONS, AND FIELD RECORDINGS -- C. OTHER SOURCES -- Notes -- NOTES FOR CHAPTER ONE -- NOTES FOR CHAPTER TWO -- NOTES FOR CHAPTER THREE -- NOTES FOR CHAPTER FOUR -- NOTES FOR CHAPTER FIVE -- NOTES FOR CHAPTER SIX -- NOTES FOR CHAPTER SEVEN -- NOTES FOR CHAPTER EIGHT -- NOTES FOR CHAPTER NINE -- NOTES FOR CHAPTER TEN -- NOTES FOR CHAPTER ELEVEN -- Bibliography -- A. BOOKS AND ARTICLES -- B. E-MAIL -- WEB SITES C. -- Index.

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