Nautch Girls of RajPublication details: India; Penguin Books India Pvt Ltd; 2009Description: 136 Pages; PaperbackISBN:
|Item type||Current library||Call number||Status||Date due||Barcode||Item holds|
|Book Adult and Young Adult 15-17||Karachi History||954.03 (Browse shelf(Opens below))||Available||PKLC021008|
|Book Adult and Young Adult 15-17||Karachi History||954.03 (Browse shelf(Opens below))||Available||PKLC023025|
The life and times of the nautch girl evoked by Nevile are an eye-opener The Times of India To see her is to fall in love, and to drink a cup of wine from the flask of her lustrous eyes is to be transported to the cosiest corner of Heaven. To be with her even for a moment is to taste immortality. The much-celebrated nautch girl, extravagantly adored for both her beauty and her virtuosity, belonged to a unique class of courtesans who played a significant role in the social and cultural life of India in the eighteenth and nineteenth centuries. The nautch girl, it may be said, was no ordinary woman of pleasure she had refined manners, a ready wit and poetry in her blood. She embodied a splendid synthesis of different cultures and dance forms the classical and the popular and catered to the sophisticated tastes of the elite who had the time, resources and inclination to enjoy her accomplishments. Over the centuries female dancers have appeared in various incarnations, frequently as temple dancers dedicated to the gods, for dance is believed to have divine approval. However, historians, sociologists, novelists and chroniclers have not always done justice to the nautch girl, depicting her as either a vamp or as a showgirl bought by the wealthy for festive occasions. This book highlights the emergence of the quintessential nautch girl in the Mughal era when she reached the zenith of her talent and charisma. Her mystique continued to reign supreme during the Raj and her popularity and status among the English sahibs and the Indian aristocracy flourished during this period.
There are no comments on this title.