Entering the Picture : (Record no. 81532)

MARC details
000 -LEADER
fixed length control field 05133nam a22004693i 4500
001 - CONTROL NUMBER
control field EBC958069
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20191126111828.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 191125s2011 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780203804193
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780415887687
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC958069
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL958069
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr10542469
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL761225
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)798531808
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N72.F45 -- E58 2012eb
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 704/.042097309045
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Fields, Jill.
9 (RLIN) 75234
245 10 - TITLE STATEMENT
Title Entering the Picture :
Remainder of title Judy Chicago, the Fresno Feminist Art Program, and the Collective Visions of Women Artists.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Routledge,
Date of production, publication, distribution, manufacture, or copyright notice 2011.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2011.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (377 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement New Directions in American History Ser.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists -- Copright -- Contents -- Plates and Figure -- Preface and Acknowledgments -- Introduction -- Section I: Emerging: Views from the Periphery -- 1. Becoming Judy Chicago: Feminist Class -- 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy -- 3. Reflections on the First Feminist Art Program -- 4. Interview with Suzanne Lacy -- 5. The First Feminist Art Program: A View from the 1980s -- 6. Feminist Art Education: Made in California -- Section II: Re-Centering: Theory and Practice -- 7. Abundant Evidence: Black Women Artists of the 1960s and 1970s -- 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program -- 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno -- 10. "Your Vagina Smells Fine Now Naturally" -- 11. A Collective History: Las Mujeres Muralistas -- 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979) -- 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture -- 14. The New York Feminist Art Institute, 1979-1990 -- 15. Our Journey to the New York Feminist Art Institute -- Section III: Picturing: Transformation -- 16. How I Became a Chicana Feminist Artist -- 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present -- 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism -- 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art -- 20. Marginal Discourse and Pacific Rim Women's Arts -- 21. Curatorial Practice as Collaboration in the United States and Italy -- 22. Feminist Activist Art Pedagogy: Unleashed and Engaged -- List of Contributors.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Permission Acknowledgments -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art - including the famous "Cunt Cheerleaders" - were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bodies of art in Fresno and other locales where similar collaborations flourished. Articles on topics such as African American artists in New York and Los Angeles, San Francisco's Las Mujeres Muralistas and Asian American Women Artists Association, and exhibitions in Taiwan and Italy showcase the artistic trajectories that destabilized traditional theories and practices and reshaped the art world.  An engaging editor's introduction explains how feminist art emerged within the powerful women's movement that transformed America. Entering the Picture is an exciting collection about the provocative contributions of feminists to American art.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2019. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fresno State College.
9 (RLIN) 75235
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
9 (RLIN) 75236
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Fields, Jill
Title Entering the Picture : Judy Chicago, the Fresno Feminist Art Program, and the Collective Visions of Women Artists
Place, publisher, and date of publication London : Routledge,c2011
International Standard Book Number 9780415887687
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title New Directions in American History Ser.
9 (RLIN) 75237
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/thebc/detail.action?docID=958069">https://ebookcentral.proquest.com/lib/thebc/detail.action?docID=958069</a>
Public note Click to View
887 ## - NON-MARC INFORMATION FIELD
Content of non-MARC field EBK
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Ebrary
Holdings
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        Afghanistan Afghanistan 26/11/2019   EBKAF00066692 26/11/2019 26/11/2019 Ebrary
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        Egypt Egypt           Ebrary
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        Morocco Morocco           Ebrary
        Nepal Nepal 26/11/2019   EBKNP00066692 26/11/2019 26/11/2019 Ebrary
        Sudan Sudan           Ebrary
        Tunisia Tunisia           Ebrary