The Visible and the Invisible : (Record no. 68079)

MARC details
000 -LEADER
fixed length control field 04721nam a22004693i 4500
001 - CONTROL NUMBER
control field EBC2028775
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20191126083434.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 191125s2015 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783110423013
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9783110426908
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC2028775
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL2028775
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr11049309
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL809022
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)908074387
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND646 -- .H3613 2015eb
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 709.49209032
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hammer-Tugendhat, Daniela.
9 (RLIN) 18142
245 14 - TITLE STATEMENT
Title The Visible and the Invisible :
Remainder of title On Seventeenth-Century Dutch Painting.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Berlin/Boston :
Name of producer, publisher, distributor, manufacturer De Gruyter, Inc.,
Date of production, publication, distribution, manufacture, or copyright notice 2015.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2015.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (340 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Edition Angewandte Ser.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Contents -- Preface -- Part I: Visible becomes Invisible Gender Construction in Rembrandt's Works -- 1 On Female Representation or On the disappearance of male protagonists from the field of representation -- An alternative to traditional patterns of femininity? - Bathsheba -- Reversals - Woman in Bed -- Discourses on femininity -- Dangerous gazes - Susanna -- Fatal looks and a laughing nymph - Diana and her Nymphs Bathing, with Actaeon and Callisto -- Where have all the men gone? -- On the discourse of rape - Lucretia -- Sources and their re-interpretations -- Lucretia fever -- Social practice -- Rembrandt - An entirely different Lucretia? -- Radical positions -- Querelle des Femmes -- 2 On Male Representation or On the disappearance of female protagonists from the field of representation -- Differences -- The impossible reversal I - women as 'rapists' or Potiphar's Wife -- The impossible reversal II - erotic images of men for a female gaze? -- Self-Images - Self-Portraits -- De Staalmeesters or Public representation is male -- Historical summary -- The group portrait -- De Staalmeesters -- 3 Asymmetry. Gender Relations in the Field of Sexuality -- Danaë or How the male sex partner was made invisible -- Pornography? -- One objection and three possible answers - Rembrandt's erotic graphic works -- 4 Summary -- Part I: Plates 1 - 8 -- Part II: Invisible becomes Visible Painting, not Mimesis -- 1 Mirror, Mirror on the Wall … Woman before the Mirror by Frans van Mieris -- 2 The Picture within the Picture or Conveying the world through media Woman Holding a Balance by Vermeer -- The Final Judgment as the norm? -- The balance -- A Catholic work of art? -- Aesthetic staging -- New views on Vermeer -- Contemporary discourses - Spinoza -- The Final Judgment as an outdated image.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 3 Farewell to Lessing's Laocoon: Leaving behind a Methodological Dispute Gabriel Metsu's A Woman Reading a Letter -- (Love)Letters -- Metsu's A Woman Reading a Letter -- Language and images - a methodological dispute among art historians -- The dichotomy of language and image -- Farewell, Laocoon … -- 4 The Gender of Letters -- 5 Affect / Emotion / Imagination -- Affects: Dirck Hals -- Emotion: Rembrandt -- Affect awareness (Affekt-Wissen) -- Interiorization: Vermeer -- Imagination: Hoogstraten -- Coda -- Part II: Plates 9 -14 -- Literature -- Illustrations -- Image credits -- Publisher's note.
520 ## - SUMMARY, ETC.
Summary, etc. The book addresses the debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2019. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting, Dutch -- 17th century.;Women in art.;Sex in art.
9 (RLIN) 18143
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
9 (RLIN) 18144
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Hammer-Tugendhat, Daniela
Title The Visible and the Invisible : On Seventeenth-Century Dutch Painting
Place, publisher, and date of publication Berlin/Boston : De Gruyter, Inc.,c2015
International Standard Book Number 9783110426908
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Edition Angewandte Ser.
9 (RLIN) 18145
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/thebc/detail.action?docID=2028775">https://ebookcentral.proquest.com/lib/thebc/detail.action?docID=2028775</a>
Public note Click to View
887 ## - NON-MARC INFORMATION FIELD
Content of non-MARC field EBK
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Ebrary
Holdings
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        Nepal Nepal 26/11/2019   EBKNP-N0005337 26/11/2019 26/11/2019 Ebrary
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